Mayte Gómez Molina
Previous Works
Un cuento muy largo.
Hieroglyphs of the Monadic Age (Los Jeroglíficos de la Era Monádica)
Congratulations, you’ve won! (Better luck next time)
La máquina que siente (A feeling machine)
Motores de búsqueda avanzada - Biznaga
Links
instagram
vimeo
Bio
Mayte Gómez Molina (Madrid, 1993) is a writer, researcher, and new media artist whose practice uses writing as the backbone of a plural body of work grounded in digitally produced images, including 3D, VR, and digital cinema. Through these tools, she explores the body as a political subject, perception as a social agreement, and visibility and invisibility as sites of survival and resistance. Her work has been exhibited internationally at institutions and festivals such as the 36th Ljubljana Biennale of Graphic Arts, Tabakalera Donosti, Documenta Madrid, Festival de Sevilla, FILE São Paulo, MMMAD Festival, and the Moss Arts Center at Virginia Tech.
Her poetry book Los Trabajos sin Hércules (No Labours for Hercules) was awarded the National Prize for Young Poetry of Spain in 2023. Her second poetry book, Circuito Cerrado de Vigilancia (Closed Surveillance Circuit), examines the frictions between analog bodies and digital spaces, questioning the obsolete binaries of natural and artificial. Her first novel, La boca llena de trigo (A Mouthful of Wheat) was published by Anagrama in March of 2026.
She holds an MFA in Film, Video, New Media, and Animation from the School of the Art Institute of Chicago, completed with a Fulbright scholarship. She is currently a PhD candidate in the MAKE/SENSE program at the FHNW in Basel (Switzerland), where she also teaches at the Academy of Art and Design, at the Institute of Art, Gender and Nature.
With the support of 