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Lukas Truniger

Implausible rainbows - Lukas Truniger

synthetic natures & lifelike infrastructures




Bio
Lukas Truniger is a visual artist, electronic composer and creative technologist, working with generative media in the broadest sense. He creates singular experiences challenging the modalities of perception, taking advantage of the mimetic nature of technology to reveal the materiality of our digital societies. His work pinpoints at unseen connections of natural, cultural and artificial system, further blurring their supposed division. He explores latent realities through emergent choreographies and systemic narratives, which can take the form of multimedia installations, speculative infrastructures, and audiovisual performances.

Born in Zürich (CH), he lives and works in Paris. He obtained a music degree from the Robert Schumann conservatory, Institute of Music and Media (IMM) in Düsseldorf (D) and a post gradual diploma in fine arts from Le Fresnoy – studio national des arts contemporains in Tourcoing (F).

His work has been shown internationally since 2016 at institutions such as the LABoral Centro de Arte y Creación Industrial (Gijón), HeK – House of Electronic Arts (Basel), West Kowloon Cultural District (Hong Kong), V2_ (Rotterdam), Ludwig Museum (Budapest), Pearl Art Museum (Shanghai), Fondation Vasarely (Aix-en-Provence), Harvestworks (New York City) and La Villette (Paris) as well as at various festivals:
Lost Art (Berlin), Sónar+D (Barcelona), Nuit Blanche (Paris), MMMAD Festival (Madrid), Athens Digital Arts Festival, Ars Electronica (Linz), Mapping Festival (Geneva), Burning Man (Nevada), Sonica (Glasgow), International Digital Arts Biennial / BIAN (Montreal) and International Symposium for Electronic Arts / ISEA (Paris and Hong Kong).

He was awarded with the Pax Art Award 2025 (Basel), Lumen Price 2024 (London), shortlisted for the  Lumen Price 2026 (Kristiansand) and Prix Cube 2016 (Paris).


Implausible Rainbows

Installation (Responsive Dreams 2026)

↑ Click on the image below to play the video

2024, artificial atmospheric phenomena
with Bruce Yoder
 
Inspired by the optical phenomena observed in our atmosphere, such as rainbows, halos and solar coronae, the piece attempts to extrapolate these astonishing natural wonders into tangible synthetic phenomena.

Using multiple highly-collimated light sources and specialized optics, the installation creates synthetic rainbows that move and transform slowly in the exhibition space. Based on the coupled motions of our solar system, it uses periodic rotations of light to produce an ever evolving environment.

The piece plays with the perception of the visitors who navigate the space, contemplating each rainbow from different positions. As is the case for their natural analogs, the synthetic optical phenomena are dependent on the observer’s position. The forms and dependencies differ from those found in nature, thus raising fundamental questions about our shared conceptions of reality. The installation explores how we interact with our environment and exposes the intrinsic human desire to imitate, as well as to exert control over nature.

The installation is appropriating concepts from climate engineering, geoengineering and weather control for an artistic experience. Weather control has historically been a crucial issue of military and geopolitical concern. While other atmospheric phenomena such as clouds feature a highly geostrategic interest in terms of access to water and cooling, rainbows are phenomena of pure aesthetic and poetic interest.

The work further speculates on how these phenomena might appear in another world or in a future where atmospheric conditions are altered, for example: how would the rainbow of an aging and cooling sun look?

For Resposive Dreams, a site specific daytime version of the installation is created, playing with the delicacy of optical atmospheric phenomena.




Distributive intelligence | A group mind - Lukas Truniger

/ TGAM's NOTES

Lukas Truniger is a visual artist, electronic musician and creative technologist whose generative installations reveal hidden connections between natural, cultural and artificial systems.