Eliza Struthers-Jobin
Eliza is an artist and programmer from Montreal, Canada, currently based in Paris, France
Participations
Granulations (2024)
Interview
A chat with Eliza Struthers-Jobin
Selected Artworks
Resonances
Diaphanae x 6529
Motion:Harmonic
RIXES
in:limin
Bubbles
curi:o(s) x CCU
Nike Air Force 1 x NSDOS
Jiggly Thing
Marketplace Profiles
Highlight
fx(hash)
objkt.com
Links
instagram
twitter
tiktok
Bio
Fascinated by the influence that programming and algorithmic thinking have on the creative process, Eliza Struthers-Jobin has been creating artwork with code since 2015. Her work is experimental, mediative and rythmic, motivated by a continuous cycle of exploration and unexpected discovery.
Imagining the hidden spaces that exist in the overlap between here and there, IRL and URL, the idea of transposing participants into parallel digital spaces in real-time, provide constant inspiration. How does it feel to be in two places at once? How can you feel something you can't quite touch?
Eliza collaborates with fellow artists, studios as well as brands creating works for festivals, shows, and to showcase new and emerging technologies.
She also mentors and teaches workshops on such topics as shaders, generative art, real-time graphics & sound programming techniques, and creative applications of AI. Eliza holds a DEC in Film Studies from Dawson College, a Bachelor's in Communications & Journalism from Concordia University, and a Masters in New Media, Web & the Arts from Université de Paris. She is a self-taught programmer.
Eliza works with a variety of tools & languages including:Touch Designer, GLSL, Unity, Unreal Engine, React Three Fiber, ThreeJS, Processing (Java), Ableton
Granulations
Dream Project (Responsive Dreams 2024)
↑ Click on the image to start the artwork
Granulations is an experimental investigation of generative art and audio. This work explores what happens when we combine two generative systems together, allowing them to inform one another.
The piece is activated with a click, triggering intertwining movement and melodies. Colors and collisions elicit a cascade of signals that add to, shift, and influence the soundscape. In turn, the audio feeds back into the visual space, altering its spatial qualities. The result is a unified, ever-changing output.
