Aleksandra Jovanić
Aleksandra Jovanić is an artist and programmer from Belgrade, Serbia
                        Dream Project: Tracing Archetypes (2025)
                                                    
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                        Previous Works
                                                    
Chromatlas
                                                    
The Anatomy of Fracture
                                                    
Returns
                                                    
Latitudes
                                            
                
                                    
                        NFT's
                                                    
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                BIO
She holds a doctorate in Digital Arts and a BSc in Computer Science. In her research and artistic practice she combines various media, mainly in the field of interactive art, art games, and generative art. Jovanić’s recent works focus on the aesthetic of data visualization and optical illusions, as well as explorations of accepted concepts of truth and reality.
Her work has been exhibited internationally in exhibitions at Unit London, Feral File, Vellum LA/Artsy, Galerie Data, ArtBlocks and ArtBasel with Tezos.
As an associate professor, she currently teaches at all three levels of study, at the Faculty of Fine Arts in Belgrade, at master studies of the Faculty of Applied Arts and at art doctoral studies at the University of Arts in Belgrade.
Dream Project: Tracing Archetypes (Responsive Dreams 2025)
↑ Click on the image to start the artwork
Twenty years ago, I defended my master's thesis in the arts, Digital Dreams. Short dialogue from the movie 2010: The Year We Make Contact, a sequel to 2001: A Space Odyssey, between SAL (HAL's sister) and Dr. Chandra, a computer scientist, inspired this piece:
SAL 9000: "Will I dream?"
Dr. Chandra: "Of course you will. All intelligent creatures dream. Nobody knows why. Perhaps you will dream of HAL, just as I often do".
So, if computers can dream, what would they dream of?
I'm returning to dream archetypes, which I briefly touched upon then. On the one hand, I'm tracing parallels between human archetypes from psychology and art history, and on the other, typical computer algorithms that I regard as analogous.
 
         
         
         
         
         
        