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Please Wait

{yes, yes, no, yes}

{yes, yes, no, yes} is a generative tattoo project developed by Anna Lucia and Kyra Orbons.


About the project
{yes, yes, no, yes}
{yes, yes, no, yes}

The project began spontaneously when Anna and Kyra sought a unique design for a tattoo. What started as a personal sketch evolved into a comprehensive algorithm capable of generating a wide array of glyphs, suited for tattoos. The project utilizes the NFT platform fx hash, specifically its ‘params’-feature, allowing participants to explore the algorithm and discover their personalized tattoo design.

The project has grown significantly since its inception, Anna and Kyra have hosted tattoo sessions in various locations, including an impromptu studio in a rooftop apartment in Venice. Each tattoo produced through this generative system carries a unique story, creating meaningful connections between the recipient, the algorithm, and the artist. The tattoos are placed using the stick and poke technique, embodying Anna's dedication to merging technology with traditional craft.

Getting your tattoo

Contact us to get your tattoo.


{yes, yes, no, yes} #22
{yes, yes, no, yes} #22
{yes, yes, no, yes} #13
{yes, yes, no, yes} #13
{yes, yes, no, yes} #15
{yes, yes, no, yes} #15
{yes, yes, no, yes} #6
{yes, yes, no, yes} #6
{yes, yes, no, yes} #10
{yes, yes, no, yes} #10
{yes, yes, no, yes} #1
{yes, yes, no, yes} #1

Exhibited at


About Anna Lucia
Born in 1991 in Wageningen, the Netherlands, Anna Lucia studied Civil Engineering at Delft University of Technology. After a short career as an engineer in Cairo, Egypt, she shifted her focus to her artistic practice in 2021 and currently lives and works in Berlin. 

In 2025, she presented her debut solo exhibition at Galerie Met in Berlin. Her work has been shown internationally at venues including Art Basel, Untitled (Miami), Francisco Carolinum (Linz), and Art Basel Miami. She participated in The First 15 Artists launching the MoMA Postcard Project, and her work has been acquired by Spalter Digital. Her notable collaboration Generations translated the Gee's Bend quilts into an algorithm, generating digital quilts that echo the formal language of the originals while remaining unique and surprising in their own right.

Ranging from browser-based animation, generative systems on the block-chain, textile works, and tattoos, Anna Lucia's practice explores the relationship between traditional craft and algorithmic systems. Her mediums include computer code and textile, and always integrate randomness, establishing a mediumistic dialogue between the artist and the computer.